Danny Trejo is a legendary ex-federale with a deadly attitude in "Machete." (Twentieth Century Fox)
In "Machete," Lindsay Lohan throws up and walks around naked.
Even so, the movie is not a documentary. It is a high-camp, blood-splattered send-up of a Mexican exploitation film, which is fairly interesting since Mexican exploitation films were never a thriving genre.
Actually, do they even exist?
They do now, thanks to writer-director Robert Rodriguez ("Sin City"). While most films are made and then turned into trailers, "Machete" began as a jokey trailer insert in the Rodriguez-Quentin Tarantino venture "Grindhouse" and then grew into a movie.
It revolves around Danny Trejo, the pockmarked 66-year-old veteran tough guy actor and actual former con. He plays the title character, a onetime Mexican cop now working as an illegal day laborer in Texas.
A rich sleazeball (Jeff Fahey) recruits Machete to assassinate a Mexican-hating U.S. senator (Robert De Niro, having fun), and when the shooting goes wrong the whole world is out to get our hero. That world includes a vigilante leader (Don Johnson), a Mexican drug lord (Steven Seagal) and a hottie immigration officer (Jessica Alba). Luckily, Machete can turn to an equally hot freedom fighter (Michele Rodriguez) for help.
Right from the beginning, "Machete" is a grand excuse for slice-and-dice bloodbaths, abundant gratuitous nudity and over-the-top absurdity. So the film gets some things right. But it's basically a one-joke exercise heading toward the inevitable big battle between vigilantes and Mexicans. There's lots of gore, flesh and fun along the way, but it gets repetitious.
And what, you may ask, is Lindsay Lohan's role in all this? That's not really clear. But she does throw up and get naked. So at least she's not wasting her talent anymore.
Review: Only young kids will like the trip on ‘Journey 2’
Review: Washington, Reynolds drive guns-ablazing ‘Safe House’
Review: Jolie pulls off dark reality of war and love
Review: Puppeteer earns a hand for ‘Being Elmo’
Review: 'After the Factory' balances post-industrial woes, hope of 2 cities
Review: Glenn Close brings vulnerability to tender film
Review: Tense ‘Man on a Ledge’ keeps viewer on edge
Review: 'Extremely Loud and Incredibly Close' treats 9/11 crassly
Review: 'Pariah' offers coming-of-age tale with twist
Review: 'A Dangerous Method' needs larger dose of danger
Review: 'Red Tails' biopic doesn’t reach heights of WWII unit
Review: 'Mill and the Cross' offers triumph of style over substance
Review: Mean movie 'Carnage' lacks a point
Review: Meryl Streep can’t rescue flimsy ‘Iron Lady’
Review: ‘Joyful Noise’ barely preaches to the choir



Join the Conversation
The Detroit News aims to provide a forum that fosters smart, civil discussions on the news and events that we cover. The News will not condone personal attacks, off topic posts or brutish language on our site. If you find a comment that you believe violates these standards, please click the "X" in the upper right corner of the post to report it.