'Hamilton' racks up Tony Awards
New York — “Hamilton,” the hip-hop stage biography of Alexander Hamilton, won the 2016 Tony Award for best new musical, capping an emotional night in which many in the Broadway community rallied to embrace the LGBT community after a shooting at a gay Florida nightclub.
Lin-Manuel Miranda’s musical biography about the first U.S. treasury secretary won 11 Tonys, just short of breaking the 12-Tony record held by “The Producers.”
Jeffrey Seller, the Detroit-born producer of “Hamilton,” quoted the show’s lyrics when accepting the best musical crown. “Look around, look around. How lucky we are to be alive right now,” he said.
Broadway’s boast of being more diverse than the Oscars was proved, with black actors winning four awards in the acting categories — a history-making sweep of the musical categories — and whites winning the remaining four for plays.
“Hamilton” went into the night with 16 nominations and, in addition to taking the musical award, won best score, best book, direction, orchestration, choreography and best featured actor and actress statuettes for Renee Elise Goldsberry and Daveed Diggs.
Leslie Odom Jr., who plays Aaron Burr, won best actor in a musical and cheered Miranda for “a new vision of what’s possible.” He also thanked his wife, actress Nicolette Robinson and his parents.
The show earlier won awards for costume and lighting but lost scenic design to “She Loves Me,” meaning “Hamilton” couldn’t break the record haul by “The Producers.” Still, few shows get introduced by a sitting president, as Barack and Michelle Obama did for the performance by the show’s cast.
The awards show unspooled with a heavy heart a night after a gunman killed 50 people at a gay Florida nightclub, prompting a Broadway tribute to the victims at the top of the show and a smattering of references to tolerance throughout it.
Host James Corden dedicated the night to celebrating the diversity of Broadway. “Hate will never win. Together we have to make sure of that. Tonight’s show stands as a symbol and a celebration of that principle,” he said.
Barbra Streisand returned to the Tony stage for the first time in 46 years and acknowledged the killings. “Tonight our joy is tinged with sorrow but we’re here to celebrate Broadway and the beauty that artistry can bring into this world.” Art, she said, can “at times like these console us.”
But for much of the telecast, the mood was light and typical of an awards show.
Miranda, the star and creator of “Hamilton,” won for best score and book, and during one of his trips to the stage, he read from a sonnet, referencing tragedy and urging “love and love and love….”
Thomas Kail won the Tony for directing “Hamilton.” He thanked Miranda, a frequent collaborator, and celebrated the diversity of Broadway this season. “Let’s continue to tell stories,” he said.
British actress Cynthia Erivo won best actress for her Broadway debut in “The Color Purple.” She thanked her cast for “making me a stronger woman on that stage.” Her show, which failed to beat “Jersey Boys” for the best musical Tony Award in 2006, won the best musical revival award in 2016.
“The Humans,” about a fractious family’s get-together,” was the second most decorated show with four awards, including best new play. Playwright Stephen Karam dedicated his award to all the struggling writers. “Keep the faith,” he said.
The play also earned wins to two mainstays of the New York stage — Jayne Houdyshell and her stage husband, Reed Birney. Both won for featured roles.
Not all shows had reason to smile. “Shuffle Along,” the musical that explores a groundbreaking 95-year-old show, failed to win a single award, although it entered the night with 10 nominations. “Eclipsed” and “She Loves Me” each won only one statuette; “Waitress” went home empty-handed.
In response to the shooting Sunday that left at least 50 people dead in a crowded nightclub in Orlando, Florida, “Hamilton” dropped its use of muskets in its performance. Many stars also wore a silver ribbon to show solidarity.
The shooting was close to home for Christopher Fitzgerald, who was nominated for his role in “Waitress” and went to school in Orlando. “I’m heartbroken. I think everybody is feeling it, so we are at least all coming together to celebrate and not live in fear,” he said on the carpet.
Jessica Lange won her first Tony for playing a drug-addled mother in the revival of the monumental “Long Day’s Journey Into Night.” The two-time Academy Award winner said: “This is a dream come true and it fills me with such happiness, even on such a sad day as this.”
Frank Langella won his fourth Tony for playing a man who has begun his slide into dementia in “The Father.” He almost teared up when he mentioned his brother’s struggle with dementia. He also had a message for the people of Orlando: “We will be with you every step of the way.”
Dutch visionary Ivo Van Hove won his first Tony for directing an imaginative revival of Arthur Miller’s “A View from the Bridge.” Under his helm, the barefoot cast warily circled one another under bright lights in a set that resembled a boxing ring. The show was also named best play revival.
The show opened with the cast of “Hamilton” performing their opening number with the lyrics altered to have them all wondering why Corden — “chatting with Hollywood phonies” — had earned the honor of hosting the show.
The “The Late Late Show” host had some quips for the theater-loving audience: “This is like the Super Bowl for people who don’t know what the Super Bowl is,” he said at one point. He later flirted with Oprah Winfrey.
Donald Trump was a frequent target. Nathan Lane made a crack about Trump University and Emilio Estefan insisted that his all-Latin cast for “On Your Feet!” were all in the U.S. legally. Corden at one point suggested there were so many diverse performers on the show that the Republican candidate would want to put a wall around the theater. There was also a joke about Trump starring in “The Book of Moron.” To be fair, Glenn Close mocked Hillary Clinton in the fictional show “A Clinton Line.”
“Hamilton” and the 38 new productions this season helped Broadway’s attendance figures hit a record high, up 1.6 percent to 13.3 million ticket buyers. The season also was rich in diversity among actors: Fourteen of the 40 Tony nominees for acting in plays and musicals — or 35 percent — were actors of color.
The best musical Tony caps a stunning year for “Hamilton” that includes Miranda winning the 2016 Pulitzer Prize for drama, a Grammy, the Edward M. Kennedy Prize for Drama Inspired by American History and a MacArthur Foundation “genius” grant.
Tony producers will hope its presence on the telecast will stem a three-year slide in viewership. Last year’s telecast — hosted by Alan Cumming and Kristin Chenoweth — was watched by a mere 6.35 million viewers. In 2014, it reached 7.02 million and captured 7.24 million in 2013.
Select winners for the 2016 Tony Awards
Best Musical: “Hamilton
Best Play: “The Humans” by Stephan Karan.
Best Original Score (Music and/or Lyrics) Written for the Theater: “Hamilton” with music and lyrics by Lin-Manuel Miranda.
Best Revival of a Play: “Arthur Miller’s a View from the Bridge.”
Best Revival of a Musical: “The Color Purple.”
Best Performance by an Actor in a Leading Role in a Play: Frank Langella, “The Father.”
Best Performance by an Actress in a Leading Role in a Play: Jessica Lange, “Long Day’s Journey Into Night.”
Best Performance by an Actor in a Leading Role in a Musical: Leslie Odom Jr., “Hamilton.”
Best Performance by an Actress in a Leading Role in a Musical: Cynthia Erivo, “The Color Purple.”
Best Performance by an Actress in a Featured Role in a Play: Jayne Houdyshell, “The Humans.”
Best Performance by an Actress in a Featured Role in a Musical: Renee Elise Goldsberry, “Hamilton.”
Best Performance by an Actor in a Featured Role in a Play: Reed Birney, “The Humans.”
Best Performance by an Actor in a Featured Role in a Musical: Daveed Diggs, “Hamilton.”
Best Direction of a Play: Ivo Van Hove, “Arthur Miller’s A View from the Bridge.”
Best Direction of a Musical: Thomas Kail, “Hamilton.”