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New York – Leave it to Sean “Diddy” Combs to go out in style.

Combs says he will leave his Puff Daddy and Diddy days behind him and retire from music following the release and tour supporting his upcoming album, “No Way Out 2.”

“I’m going to put out my last album and devote 100 percent of my time to doing films,” Combs told Cigar Aficionado magazine. “I want to stop at a great place ... and a final album is a great place to stop. I want to take a victory lap, to do a world tour and really enjoy it one last time.”

That victory lap begins Friday with the Bad Boy Family Reunion, as Combs brings together many of the artists from the Bad Boy Records roster for an appearance on NBC’s “Today” as part of its Summer Concert Series and later that night and Saturday at the Barclays Center in Brooklyn, marking what would have been the late Notorious B.I.G.’s 44th birthday.

A Bad Boy Reunion Tour will follow this summer, kicking off in Columbus on Aug. 25, with a stop at The Palace of Auburn Hills on Sept. 2. Tickets will go on sale Friday.

“This isn’t just another concert,” Combs said announcing the show. “This is hip-hop history ... . The Bad Boy Family includes some of the biggest names in music and songs that helped define a whole generation of music. Also, we are celebrating one of the greatest of all time — Notorious B.I.G. This will be a night to remember.”

The night — which will feature Bad Boy hitmakers like Lil’ Kim and Mase, as well as Jay Z and Mary J. Blige — will be a throwback to the days when the Notorious B.I.G. and Puff Daddy took over the music industry.

In the ’90s, Biggie’s string of hits starting with “Juicy” and “Big Poppa” launched the East Coast rap style, which competed with the West Coast rap of 2Pac and N.W.A. for control of hip-hop and the top of the pop charts.

Biggie and Puffy opted for a flashier style — the shiny suits, the big jewelry — to offset the grittier tales of life in Brooklyn, creating not just a sound that was in demand but a look as well.

After Biggie’s murder in 1997, Combs regrouped and released his own album, “No Way Out,” which went gold in its first week, and a tribute to Biggie called “I’ll Be Missing You” that became the first hip-hop song to debut at No. 1, staying there for 11 weeks. It was eventually pushed from No. 1 by The Notorious B.I.G.’s posthumous hit with Puff Daddy, “Mo Money, Mo Problems.”

In 1997, Puff Daddy held the No. 1 spot for 19 weeks with three of his singles, including his debut “Can’t Nobody Hold Me Down,” which showed off the Bad Boy style of taking ’80s pop samples and turning them into hip-hop anthems.

It’s that era that Combs wants to celebrate with the Bad Boy Family Reunion, as well as his expected international tour next year.

Though many of Bad Boy’s artists went on to leave the label and collaborate with others, most seem happy to pay tribute to the era that gave them their start.

“I’m in my comfort zone when I’m with my Bad Boy family,” Lil Kim recently told Billboard. “We have such an organic, natural connection when we’re onstage. It’s perfect, it’s fun. It’s just second nature to me.”

Combs has been planning his exit from music for a while. In November, he released his “MMM” album as a birthday surprise, calling it “a thank-you to my fans and is just the beginning, a prelude to what will be my final album, ‘No Way Out 2.’ ”

Though he has long split his time between his fashion lines, his acting career on Broadway and in films, Combs has recently been focusing more and more on what he sees as his final album and his musical legacy.

“When I’m gone, only the songs will survive,” Combs told Cigar Aficionado for the magazine’s June issue. “I know I’m making music that will live on. I don’t go into the studio just to be hot or to hear myself on the radio. Michael Jackson, Tupac, Biggie — part of them lives on in their music, even though they’re not here anymore. That’s really deep, man. The only thing like that is religion.”

All in the Bad Boy family

Building on the success of The Notorious B.I.G., Puff Daddy created The Family, an eclectic group of artists on his Bad Boy label who each had a certain niche in the roster. Here’s a look at the hitmakers of the late ’90s:

Faith Evans

Best known for: Being hailed the “First lady of Bad Boy Records” and her whirlwind courtship and marriage to The Notorious B.I.G. nine days after meeting

Biggest hit: “Love Like This” (No. 7, 1998)

Lil’ Kim

Best known for: No-holds-barred rap style and sexed-up rhymes that made her one of hip-hop’s biggest stars

Biggest hit: “Not Tonight” (No. 6, 1997)

Mase

Best known for: Graduating from Puff Daddy’s right-hand-man on hits like “Can’t Hold Me Down” into a star in his own right on his chart-topping debut “Harlem World.”

Biggest hit: “Feels So Good” (No. 5, 1997)

Mario Winans

Best known for: Branching out from the mighty gospel family The Winans to produce and write, then grabbing the spotlight with his smooth soul style

Biggest hit: “I Don’t Wanna Know” (No. 2, 2004)

Total

Best known for: The trio was Bad Boy’s New Jill Swing girl group (the female version of the New Jack Swing movement created by Teddy Riley) rolling up a string of R&B hits

Biggest hit: “Kissin’ You” (No. 12, 1996)

Carl Thomas

Best known for: The soulful crooner of Bad Boy, singing hooks on label mates’ tracks and his own love songs

Biggest hit: “I Wish” (No. 20, 2000)

112

Best known for: Bringing the boy band style of ‘N Sync to Bad Boy, with sweet R&B-tinged pop

Biggest hit: “It’s Over Now” (No. 6, 2000)

The L.O.X.

Best known for: Spawning solo stars Jadakiss, Styles and Sheek, following their time as Bad Boy’s reigning rap group

Biggest hit: “Money, Power & Respect” (No. 17, 1998)

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