Tony Awards and TV special hope to be the jab Broadway needs
New York – The Oscars, Grammys, Emmys and Golden Globes have all held their ceremonies during the pandemic. Now it’s time for the Tony Awards, celebrating an art form that really needs the boost – live theater.
Sunday’s show has been expanded from its typical three hours to four, with Audra McDonald handing out Tonys for the first two hours and Leslie Odom Jr. hosting a “Broadway’s Back!” celebration for the second half, including the awarding of the top three trophies – best play revival, best play and best musical.
“What this does is it gives a chance for a lot of these shows – with just the joy of what Broadway brings – to be showcased in a way that helps remind the general public that we’re here and to come back and there’s a way to do it safely,” said McDonald.
While other entertainment industries like TV and film found ways to restart during the pandemic, Broadway was unable until now due to financial and physical impediments. The lifting of all capacity restrictions was crucial to any reopening since Broadway economics demand full venue capacity.
The sobering musical “Jagged Little Pill,” which plumbs Alanis Morissette’s 1995 breakthrough album to tell a story of an American family spiraling out of control, goes into the night with a leading 15 Tony nominations.
Nipping on its heels is “Moulin Rouge!,” a jukebox adaptation of Baz Luhrmann’s hyperactive 2001 movie about the goings-on in a turn-of-the-century Parisian nightclub that has 14 nods.
“Slave Play,” Jeremy O. Harris’ ground-breaking, bracing work that mixes race, sex, taboo desires and class, earned a dozen nominations, making it the most nominated play in Tony history.
Other shows to keep an eye on are “The Inheritance” by Matthew Lopez, which nabbed 11 nominations. It’s a two-part, seven-hour epic that uses “Howards End” as a starting point for a play that looks at gay life in the early 21st century. And “Tina – The Tina Turner Musical,” which tells the rock icon’s life with songs that include “Let’s Stay Together” and “Proud Mary,” earned 12 nods.
This season’s nominations were pulled from just 18 eligible plays and musicals from the 2019-2020 season, a fraction of the 34 shows the previous season. During most years, there are 26 competitive categories. This year there are 25 with several depleted ones. But theater insiders think an awards show is even more vital now.
“I would argue it’s more important than ever, in a way,” said James Corden, who hosted the Tonys in 2016. “If there’s a year that we should ever celebrate them, it’s this year, where people’s entire lives have just been ripped away and turned upside down.”
Some intriguing races include whether Celia Rose Gooding, a daughter of Tony Award-winner LaChanze, will win a Tony of her own for her work on “Jagged Little Pill” and if fan favorite Danny Burstein will finally win a Tony for “Moulin Rouge! The Musical.” Many will be seeing if Karen Olivo wins best leading actress in a musical, despite quitting her show, “Moulin Rouge! The Musical,” in frustration with Broadway.
Six-time Tony-winner McDonald is not just a host. She’s up for best actress award in a play, which, if she won, would give her seven awards, breaking her own record for the most Tonys won by a performer. And something bizarre has to happen to deny Aaron Tveit winning for best leading actor in a musical; he’s the only person nominated in the category. Voting for the nominees was done in March.
The last Tony Awards ceremony was held in 2019. The virus forced Broadway theaters to abruptly close on March 12, 2020, knocking out all shows and scrambling the spring season. Several have restarted, including the so-called big three of “Wicked,” “Hamilton” and “The Lion King.”